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Introduction and also Text the "Identity"
Julio Noboa Polanco's piece of doggerel, titled "Identity," has become an net favorite; unfortunately, this clumsy city employs the usage of hyperbole that outcomes in nonsense. The function of exaggeration is to emphasize the characteristic of part entity or event, no to pervert the subject into something that is not. Because that example, one’s thoughts may be hyperbolically expressed together soaring favor an eagle. Yet if one areas those think in the mind of a weed clinging to a cliff, the possibility of trip becomes impossible. That ludicrous comparison shows up in the second versagraph of this poem: "I'd fairly be a tall, ugly weed, / clinging top top cliffs, prefer an eagle / wind-wavering above high, jagged rocks."
The design template of the item centers top top the really human and admirable desire because that freedom and also individuality. The speaker, therefore, is asserting that unlike every the misguided souls who select to live a disciplined life, this speak proudly announces the he prefers to continue to be a rowdy rebel, but the speaker regrettably chooses to to compare himself and his compatriots to plants. The desire for freedom precludes the desire to it is in an reality that is rooted come ground.
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A perverted sort of appropriateness is afloat in the fact that the versagraphs continue to be uneven in the ~ do so poem. Technological skill as well as logic space both severely lacking in the net sensation.
Let lock be together flowers, always watered, fed, guarded, admired, but harnessed to a pot that dirt.
I'd fairly be a tall, ugly weed, clinging top top cliffs, prefer an eagle wind-wavering over high, jagged rocks.
To have broken through the surface ar of stone, to live, to feel exposed to the insanity of the vast, eternal sky. To be swayed by the breezes of an ancient sea, transferring my soul, mine seed, beyond the mountains of time or into the abyss the the bizarre.
I'd rather be unseen, and if climate shunned through everyone, 보다 to it is in a pleasant-smelling flower, growing in swarm in the fertile valley, whereby they're praised, handled, and also plucked through greedy, person hands.
I'd fairly smell of musty, environment-friendly stench than of sweet, fragrant lilac. If I could stand alone, strong and free, I'd quite be a tall, ugly weed.
Reading that "Identity"
CommentaryIn Julio Noboa Polanco's "Identity," the expression that the heartfelt desire because that freedom and individuality continues to be shrouded behind blended metaphors and the inappropriate usage of hyperbole.
First Movement: Ludicrous Dichotomy and Mixed Metaphor
Let castle be together flowers, always watered, fed, guarded, admired, however harnessed to a pot the dirt.
I'd rather be a tall, ugly weed, clinging top top cliffs, prefer an eagle wind-wavering above high, jagged rocks.
The speaker concocts a perverted dichotomy between himself and also his fellows, whom he identifies merely as "them." leaving those others, "them," unidentified, however, the speak takes as his task to castigate those who do not agree with his certain brand of flexibility philosophy.
The speaker's opened lines mix a metaphor of flower and horse. Those other people, whom the speak disdains, are like well-kept flowers in a flower pot, but he says they are "harnessed to a pot that dirt." steeds are harnessed, not flowers. His mixed an allegory betrays the piece as nonsense. Combined metaphors cannot communicate accurately, as the blending creates only confusion and disorder.
The first part that the dichotomy is the flower, and the 2nd is a weed; thus, the speaker is do the efforts to to convince his readers that being a weed is far better than being a flower. He insurance claims that he prefers to it is in a large ugly weed, and also he likens that ugly weed, which additionally lives fastened come dirt just as the flower in a pot does, come an eagle. The lack of logic here is breathtaking: eagles fly, plants execute not! it matters no that the plant stays admired in a pot or grows out on the prairie unseen by anyone; neither will ever takes wings and also fly away as the eagle definitely will. Again, a mixed metaphor, here expressed as a simile, has resulted in nothing but confusion.
Second Movement: The Curse of Postmod Gibberish
To have damaged through the surface ar of stone, come live, to feel exposed come the insanity of the vast, eternal sky. To it is in swayed by the breezes of an ancient sea, delivering my soul, mine seed, past the mountains of time or right into the abyss of the bizarre.
The speaker then supplies a series of infinitives, "to have actually broken," "to feel," "to live," and "to it is in swayed." The first infinitive explains the action of a saxifrage, a plant that has actually burst with some difficult surface favor concrete or "stone." The speaker uses no context for such an action, which go not appropriately describe any activity a person being might take.
But the speaker seems to think that breaking v that stony surface will permit him "to live." and apparently come him, living is being "exposed to the madness / of the large eternal sky." Tell the to victims of tornadoes, hurricanes, and other severe, damaging storms that maim and also kill. Far from permitting him come live, the "madness" might kill him instead.
In a vague, meaningless, and stupendously absurd claim, the speak asserts that he would prefer his "soul" and his "seed" come be lugged by the winds that "an old sea" to some "abyss of the bizarre" which supposedly exists "beyond the mountains of time." Again, the effort at hyperbole stays nonsensical. If that is a weed, his seed may be carried far and wide by the wind. Yet trying to make the areas where that seed might land into "an ancient sea" "beyond the hills of time" creates a vagueness that remains unrealizable.
The "abyss of the bizarre" opens up the hyperbolic cruising on the wind to the level of one absurd abstraction. The poetaster is obviously striving to sound profound however fails to also offer photo that deserve to be perceived.
Third Movement: Confusion and also Contradiction
I'd quite be unseen, and if then shunned by everyone, 보다 to it is in a pleasant-smelling flower, cultivation in clusters in the fertile valley, whereby they're praised, handled, and also plucked through greedy, human being hands.
There shows up to be a structural error in the opened line in the movement. The "and if" seems to it is in dangling, supplying no meaning and just confusing what the speaker is trying to say. Maybe he method "or," but actually omitting the phrase could enhance definition somewhat.
The speaker has already claimed the would like to it is in a weed cultivation wild and free than to it is in a plant in a pot. Now the speaker claims he would favor to be invisible than to be a "pleasant-smelling flower" even if that flower is farming in a "fertile valley." This claim throws a ridiculous contradiction right into the mix. He wanted to a weed to a flower in a pot due to the fact that the weed is out cultivation somewhere in nature. But now he's denigrating also flowers that prosper wild.
Fourth Movement: A Stinky Weed
I'd quite smell that musty, green stench 보다 of sweet, fragrant lilac. If I could stand alone, solid and free, I'd fairly be a tall, ugly weed.
The speaker has now went back to his desire to it is in a weed—and a stinky weed at that. The would choose to stink and also "stand alone" than to it is in a sweet smelling lilac. The fancies that those ugly, tall, stinky weeds have an ext freedom than sweet-smelling flower that human beings enjoy. The concept is ludicrous. A weed go not, in fact, possess an ext freedom, no one is that stronger, than a flower.
Of course, everyone prefers to live as a being who possesses strength and freedom. Thus, this would-be poet’s instinct for freedom is well-grounded and even admirable, yet unfortunately his execution of this poem remains a hyperbolic disaster.
Answer: The ton of this item of doggerel is adolescent arrogance.
Question: What is the template of the city "Identity"?
Answer: The template of this piece is freedom.
Question: What is “ugly weed, / clinging on cliffs,” an instance of in the city "Identity" through Julio Noboa?
Answer: The lines, “ugly weed, / clinging on cliffs,” is a failed imagistic metaphor. The speaker concocts a perverted dichotomy between himself and also his fellows, whom he identifies just as "them." leaving those others, "them," unidentified, however, the speaker takes together his task to castigate those who execute not agree through his particular brand that philosophy.
The speaker's opened lines recognize him instantly as a poetaster as he mixes a an allegory of flower and horse. Those other people, whom the speak disdains, are favor well-kept flowers in a flower pot, however he states they are "harnessed to a pot that dirt." steeds are harnessed, no flowers. His mixed an allegory may bring on a belly-laugh because that which the doggerel is no striving.
The first leg, then, of the dichotomy is the flower, and also the second is a weed. For this reason the speaker is walk to shot to convince his readers the being a weed is much better than being a flower. For this reason he insurance claims that he prefers to be a huge ugly weed. And also he likens the ugly weed, which also lives fastened to dirt simply as the flower in a pot does, come an eagle. The lack of logic right here is breathtaking: eagles fly, plants perform not! that matters no that the plant lives admired in a pot or grows the end on the prairie unseen through anyone; no will ever before take wing and also fly away as the eagle certainly will.
Question: explain why this poem by Julio Noboa Planco is a "pretend poem"?
Answer: Julio Noboa Polanco's piece of doggerel, title "Identity," has become an web favorite. The is the type of fraudulent verse the satisfies only readers whose interest in poetry remains one-dimensional and also painfully immature. The only reason for a serious commentator of city to bother through such a item is to sell readers an example of what not to appreciate or give much fist to in pieces that litter the internet masquerading as "poetry." follow to this speaker, unlike every the misguided souls that choose to live a disciplined life, he proudly announces that he prefers to stay a rowdy rebel. Yet the immature speaker, unfortunately, choose to compare himself and his compatriots to plants. This choice demonstrates a absence of ability not only in city writing but in the capacity to choose suitable logical analogies. A perverted kind of appropriateness is afloat in the reality that the versagraphs stay uneven in the piece. Therefore technical skill, also as an innovative content, are both severely lacking in the web sensation. Provide it a glance and move on!
Question: has actually Julio Noboa Planco composed any an ext poems?
Answer: Apparently, no one that have actually made it right into the cyber world as this one has done.
Question: What is the relationship in between the main image and the location of Polanco’s poem?
Answer: The central image is a weed. The speaker cases he would like to be a weed, that is, come "identify" as a weed out farming in the wild fairly than to it is in a well-cared-for tree in a pot. A breathtaking, faulty analogy: both the weed and also the well-cared-for plant space rooted in the soil. They have actually the exact same level the freedom, i beg your pardon the speaker is trying to case as his motive. The poem merely does not work.
Question: What is the TPCASTT the the poem "Identity" by Julio Noboa?
Answer: T: recognition (of self and/or others)
P: I’d fairly be a wild weed 보다 a nurtured flower.
C: None. (Doggerel has no feeling of suggestion.)
A: Holier than thou.
S: None. (Doggerel continues to be shiftless.)
T: ns am a poetaster; there is no city in me.
T: attempted “freedom.” (But again doggerel can not pose a major theme.)
Question: What is the the atmosphere of the poem "Identity" by Julio Noboa Polanco?
Answer: The atmosphere of Polanco's "Identity" is arrogance.
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Question: how do you point out this poem?
Answer: ns suggest adhering to the MLA (Modern Language Association) guidelines.
Question: Why do you think the speaker of Polanco's "Identity" would fairly be a weed?