Jamie Lee Curtis defines why castle went ago to only the an initial Halloween in the new movie, no longer making Michael and Laurie siblings.

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By David crow | July 25, 2018 | | comments count:0
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the is fair to say that the Halloween franchise has always had a fairly loose continuity. While plenty of forget it to be the 2nd film in the series, Halloween II (1981), that introduced the principle of Laurie Strode (Jamie Lee Curtis) gift Michael Myers’ small sister, not much else in the film stuck. Killer Michael and also the crusading psychiatrist Dr. Loomis (Donald Pleasence) to be incinerated into kindling at that movie’s end, and also yet both were back with only a couple of scratches in Halloween 4: The Return the Michael Myers (1988). Curtis, meanwhile, didn’t return to the franchise again until a te after that in 1998’s Halloween: H20, in i beg your pardon Laurie Strode faced her brothers Michael one critical time… till the complying with film unceremoniously (and foolishly) eliminated Laurie off in the very first 15 minutes. Which was the 2nd time Laurie died if you count the whisperings in Halloween 4. And also then there space the rob Zombie remakes…

So needless come say, there is a lot of narrative ambiguity around the franchise, i m sorry is perhaps why Curtis is therefore enthusiastic for what writer-director David Gordon Green and also co-writer Danny McBride came with for their very own soft reboot in 2018: ignore whatever that come after 1978. That has the multiple deaths that Laurie, the remakes, the various nieces and also nephews to run around… and even the fact Laurie Strode is Michael Myers’ little sister. Quite Halloween (2018) return to what do the original film for this reason terrifying: the inexplicability and also randomness of angry acts. And it’s other Curtis was really pleased to embrace when talk to Den that Geek at mountain Diego Comic-Con.

“So the beautiful building and construction here is just how do friend tell a story that has nine various other stories attached to it?” Curtis asks during our interview. “Because those nine stories were written by nine different people. And also I’m not saying that each one personal doesn’t have actually their very own merit, their own value, and no one is saying they nothing exist. What we’re speak is this movie is only straight related to Halloween in 1978 and also what occurred to Laurie Strode ~ above Halloween night in 1978.”


It plainly returns come the initial horror the the an initial movie’s conceit the evil have the right to strike almost everywhere at any kind of time, something that Halloween II muddied by do the killer and his prized victim siblings—an element Carpenter has personally stated he regrets ~ handing in the story for the sequel and then greatly washing his hands of the franchise.


For her part, Curtis appears to rather agree. “There is nothing more terrifying in the human being than a arbitrarily act of violence, that is the source of terrorism,” Curtis says. “Not that you watch it coming, that something occurs in a dreadful way, there is no you ever thinking it could happen to you, it is what made this movie so profoundly terrifying, is it to be random. Now the story gained twisted, and there are human being who love the idea. Kevin smith loves the idea of that being her brother. But to me, what’s yes, really terrifying is not understanding why this happened and also that’s what David for this reason beautifully has woven back, and also you left this woman v nothing yet she’s become the boy that cried wolf.”

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In this vein, Curtis raises some exciting parallels between Laurie Strode, particularly in exactly how she and also Green have actually reimagined her for 2018, and also the #MeToo moment that swept through the culture while they to be shooting the film. There is also a grim realization the the terror treated together the stuff of nigh-supernatural fantasy in the initial Halloween is now part and parcel of real everyday life.


“Laurie Strode had something take place to her that no one should ever have happen, and she just reacted in she intelligent method to conserve her life, period. End of story, the movie ends,” Curtis says. “This new movie choose up 40 year later, and what happened is 40 year later, there to be no trauma therapy, nobody went in and gave her mental health services, she was elevated by Midwestern, simple people, who said, ‘Baby, she okay.’ and she went earlier to school two days later with a little scar on she arm. And also that’s it. And you see, that type of PTSD, that kind trauma, simply compounds. And also what we’re see in the civilization today is that all of these women who have actually been traumatized, victimized, beaten, battered, raped, have all uncovered the voice come say no more.

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“So it’s interesting that this movie coincides, beautifully, with that well-spring the empowerment and understanding, and Laurie Strode to be a 17-year-old high institution student that nobody paid any type of attention to. Currently she is demanding a moment.”

Hence just how Curtis can attract a line also between Laurie’s waking nightmare and also the realities that have involved dominate the nightly news.


“Can imagine Karen’s first day in an initial grade?” Curtis asks me while referring to Laurie’s daughter in 2018’s Halloween, that in the movie is now an adult and also a mom herself. “Laurie Strode walks in, looks in ~ the teacher and also says, ‘What’s your exit strategy?’ currently today, sadly every first grader to know what sanctuary in place means, knows what an active shooter alarm means. Favor our youngsters today are all set for that awful reality. Yet in 1978? … So friend see, it is the woman. The fascinating when you have actually someone unchecked favor that who’s had no help, and that’s really who you discover in the movie.”


It is the most visceral and also tangibly human being portrait of Laurie Strode because Carpenter’s initial film. And also it will allow Laurie to have actually her moment when Halloween opens on Oct. 19.